vintage camera – My journey through film photography

My Olympus Pen FT Camera and Lomochrome Purple 35mm film

I’m a big lover of the Lomography Lomochrome Purple film (since purple is my favourite colour!) and have really liked the results in other cameras I’ve used it in.

I therefore wanted to try it out in my Olympus Pen FT camera. I already knew from trying out the film previously that it worked well with landscapes.

I therefore visited Seven Sisters Country Park in Eastbourne to take some landscape photos and here are some of the results:

I was really happy with the results of the film with the landscape and I managed to achieve the cool purple effect I was after. I wasn’t sure how the pictures of the sheep would turn out but I was pleased with those photos too.

Since the half frame camera has twice as many photos to shoot, I didn’t manage to use up the film whilst at Seven Sisters.

I therefore headed to Brighton Marina and took some more pictures using my 25mm Zuiko lens and also my 150mm Zuiko telephoto lens and here are some of the results:

You’ll see that the film wasn’t nearly as effective as it had been on the landscape shots. I did feel the photos taken at the marina had a vintage feel to them and there is clearly a hint of purple and a lot of the blues on the boats have turned into a green colour.

I also took a couple of photos of the cliffs nearby:

Again, the purple was only really effective on the green parts of the landscape but I did like the effect the film had on the blues of the sky and sea.

I still had a couple more shots of film left to use up (72 exposures goes a long way!), so I decided to head to my local cemetery in Hove and here are some of the results:

I was really pleased with the results of these photos too. I got the purple effect I was after along with a nice contrast of turquoise sky in some of them.

I know I’ll definitely be using this film again when taking landscape shots as I absolutely love the colours it produces.

My Olympus Pen FT Camera and Cinestill BwXX film

I’ve been a fan of the Cinestill film ever since I tried the Cinestill 50D colour film using my Olympus Pen FT and got some great photos at a car show.

I’d also used the Cinestill 800 colour film with my Pentax K1000 and had managed to take some nice evening shots.

In a nutshell Cinestill film is a motion picture film for still photographers.

I’m fortunate enough to have a shop in Brighton called Zoing Image which stock Cinestill 50D and Cinestill 800 colour film.

However, when I discovered the Cinestill BwXX black and white film, they unfortunately didn’t have any in stock for me to buy. I therefore had to look online and bought the film through Analogue Wonderland as there were a couple of other creative style films I wanted to try that they sold so I bought them altogether.

I already knew that I wanted to use my Olympus Pen FT camera for this film because I love the high quality lenses this camera has and I also knew I mainly wanted to take architectural style shots. Also, the size of the photo taken on a half frame camera is very similar to cinematic style photos.

The Cinestill BwXX is a high speed, classic black and white film emulsion with a recommended ISO 250 under daylight.

What I also love about this film is the fact it’s a classic black and white film stock left relatively unchanged since it’s release in 1959 for still and motion picture use so this really adds to that vintage film feel of a photo.

I’ve read that it’s a classic film stock to fill the void left by the discontinuation of it’s sister films, Kodak Plus-X (which was discontinued in 2010) and TXP320.

The film produces 36 exposures (or 72 on a half frame camera) and is a 35mm film format. It’s not the cheapest of films and retails at around £10 per roll.

Here are some photos I took whilst out and about in Brighton

Since I had architectural photo’s in mind for this film I also visited the Barbican in London and took some photos:

I got the film developed at my local lab and I scanned the images using my Epson V600 scanner.

One thing I did notice when the negatives were developed was the high quality negatives produced. They were really thick and not flimsy and the images on the negative were very bright and clear to the naked eye.

As I expected, the photos have a real grainy, cinematic look about them which I do think has worked well with the architectural shots.

Going forward I would definitely use this film again if I had a black and white vintage style photography project in mind as i think the film would work well with that.

Polaroid 600 Camera

From my previous blog posts you’ll see that I’m a fan of instant film photography and currently own a Polaroid Snap and Leica Sofort instant cameras.

I love these two instant camera’s and use them a lot for taking photos on social occasions.

However, due to the size of the photo they produce, I never felt they quite matched up to a polaroid photo if I wanted to take some more artistic style photographs for potentially framing to show at home.

I feel quite nostalgic about vintage polaroid cameras’ due to the fact my parents took a majority of my baby photos on their polaroid camera. Unfortunately they no longer have the camera.

I decided to finally purchase a vintage polaroid camera when I discovered the Polaroid Pink Duochrome 600 film which really inspired my creativity.

The Impossible Project which changed their name last year to Polaroid Originals had produced several colours of this Duochrome style film as limited editions ranging from orange and black, yellow and black and blue and black.

Polaroid Originals have since discontinued all of these limited edition films but thankfully the Pink and Black Duochrome film is still available to purchase from Urban Outfitters in the UK.

Once I knew I could currently purchase this film I had to decide on a Polaroid Camera which was compatible with the 600 film.

After doing much research with the help of a book called ‘Polaroid the Missing Manual’ by Rhiannon Adam, I finally decided I would buy a box type vintage 600 model.

The main reasons I decided to get this style of camera was first of all, it’s compatible with the film type I wanted to use and secondly, it’s a camera I would be able to buy at a relatively low price compared to the new polaroid onestep cameras which retail for over £100 and the desirable folding cameras such as the SX-70 which can sell for over £200 for a good condition one.

I ended up winning an auction on eBay on a Polaroid 600 LMS (Light Management System) camera from around the 1980s which had been refurbished by the Impossible Project just over a year ago and is painted black and white which I really like.

I was slightly nervous, yet excited at the same time about the quality of the images this camera would produce since it is classed as one of the more basic polaroid cameras.

However, I was really pleased with these photos I took:

I’m currently getting used to the camera and am still in the experimental stage regarding exposure. The picture above taken of Brighton Bandstand was made darker on the Polaroid camera by sliding the control on the front of the camera towards the black arrow. I decided to darken the photo because when I took the photo it was on a very sunny morning and I had seen from the Brighton West Pier photos I took previously that they had come out quite bright so there wasn’t as much detail as you can see in the photos below:

The Duochrome film retails at £18.99 and there are only 8 photos in a pack which means it works out at over £2.00 per photo which is considerably more than fujifilm mini instax which is around 80p a photo.

Polaroid films used to contain 10 photos in a pack but due to the way it is currently produced and the thickness of each photo, they can only fit 8 photos into a pack. This means that ‘experimenting’ can work out quite costly.

Interestingly, although this is an instant camera, I’m finding that it is actually helping me practice being a patient person (which is something I lack most of the time). This is because I have to really think and plan each photo I take due to the cost of the film.

For instance, I knew that I would have to take a photo of the Brighton Bandstand in the early morning in the daylight before lots of people were up and about either visiting the bandstand or just generally walking around as I didn’t want to waste my film with any unwanted shots of people accidentally getting in my photo. I also had to plan a day when the weather would be reasonably nice and not raining.

Also, the photos don’t develop instantly as you may think. Once the picture is taken, the photo needs to be kept in the dark for at least 10 minutes to enable the picture to develop to it’s full potential. My refurbished camera has a camera shield frog tongue already installed into it to stop the picture being exposed to any light when it first comes out of the camera.

Lastly, I discovered that it can take up to 30 days for the chemicals within the Polaroid film to fully dry so it’s recommended that you don’t put the photos into a plastic photo album or picture frame for at least this amount of time.

For all these constraints, there is something very endearing and addictive I’m finding about taking Polaroid photos.

I’ve since ordered some more Pink Duochrome film, so again, I’m having to be patient whilst I wait for the film to arrive in the post.

Half Frame Club

I’m finding from my journey into film photography this year that I’m developing a real passion for half frame photography.

In previous blogs I’ve spoken about a couple of the Olympus Half Frame Camera’s I own and the results of the photos I’ve taken with them.

Through Instagram, I’ve discovered that I’m not the only person with a love of half frame photography and it was great to see so many other people also loving half frame cameras and seeing what photo’s they’ve taken.

It was via Instagram that I stumbled upon a website called #HalfFrameClub – Half Frame Camera and Photography Club.

I’ve got to admit it was a website I wish I had invented but since I’ve only recently discovered half frame photography it was understandable that somebody would have thought of this idea first and I’m really happy to see they came up with a website dedicated to it.

It’s an online community for half frame 35mm film photography and cameras which is curated by @danmar_photos. The website ‘does what it says on the tin’. It’s a community for half frame camera enthusiasts to discover and look at photos taken by half frame cameras.

On instagram myself and other people are able to tag #halfframeclub onto our photos that were taken with a half frame 35mm camera and the curator will feature various ones on a daily basis, which is great to see. There are also themes such as ‘Monochrome Monday’.

The website itself is concise and clear and really easy to navigate. On the home page you are greeted with photos taken on half frame cameras and if you click on each photo, it will take you to a link in instagram where you can find out more about the person who took the photo and look at their other work.

This website and their instagram page certainly does provide a lot of inspiration for people who like to take photos with 35mm half frame camera’s.

The website releases a Zine every season and will ask for submissions for this from the half frame community. They’re currently looking for submissions for their Summer Zine until August 15th.

I love the fact that you can easily click onto the submission page and a theme is brought up for the type of photos they would like submitted for that particular zine issue which is great and gets the photographer to have more thought into the type of photos they would like to submit (and possibly inspire them to go out and take further photos to meet the theme).

The website also has a section for reviews of cameras and film. The curator encourages fellow members of the half frame community to contribute to this which is great.

Lastly there are links to websites for General Photography and another one specifically for Half Frame Photography and the types of Half Frame Cameras which is very informative.

Here is the link to the website which I encourage all half frame photography enthusiasts to check out:

www.halfframeclub.com

Olympus Pen EE

A few weeks ago my husband and I had a few days off work and on one of the days we decided to have a walk around the lanes in Brighton with our dog.

I needed to pop to one of our local shops, Zoing Image in Sydney Street as I was after some Cinestill 800 film to practice some night time shots using my Pentax K1000 (blog to follow on this).

As well as the unusual film selection that Zoing Image stock, they also sell a selection of second hand cameras. Every time I visit, there are always a new selection of secondhand cameras to choose from so I love to browse.

Whilst my husband isn’t really into photography, he always takes a keen interest in any camera I buy and was extremely fascinated by my Olympus Pen FT half frame camera and the quality of images it produces.

I think this is what led him to noticing the Olympus Pen EE Camera in the cabinet for sale.

He told me he was instantly drawn to the size and grey colour of the camera. Once I explained to him it was an automatic half frame camera he wanted to have a look at it in more detail. He absolutely loved the tiny viewfinder window and the feel of it in his hands so we bought it along with some Kodak Colour Plus 200 35mm film and loaded it in the shop there and then so we could take some photos of our day around Brighton.

In some ways, this camera is similar to the Olympus Trip where a red flasher will pop up in the viewfinder if the image is too bright or dull and won’t expose correctly. This took some getting use to for my husband as he tried to take several shots where this happened.

The film number counts back from 72 to 0. The lens is a D Zuiko f/3.5 (4 element) with a focal length of 28mm.

I already knew the lens would be of good quality from my experience of using Zuiko lenses on my Olympus Pen FT.

A great edition to this camera in the shop was the fact it also came with a UV lens which screwed into the middle of the camera:

The shutter was quite small so could be hard find by feel when taking a picture:

I solved this problem when I got home by adding a metal shutter button which definitely made taking pictures easier:

The camera also came with an Olympus lens cap although I don’t think it’s the original as I think they have EE written on them.

The camera unfortunately didn’t come with the original case or wrist strap but the shop were kind enough to provide me with a small black case which was in great condition. Also I know that the original olympus cases for this camera can deteriorate over time as the plastic outer coating of the case tends to flake off. Thankfully I had a grey wrist strap at home which had originally been for my Panasonic TZ70 digital camera which I’d never used as I prefer to use a leather neck strap with that particular camera. Personally, I would never use a neck strap with the Olympus Pen EE due to it being so lightweight (12.5 ounces).

I’ve also since purchased a skylight filter for the camera which I picked up for a couple of pounds on eBay.

I was surprised how quickly my husband and I were able to get through 72 frames over two days but with a point and shoot style camera I don’t really think so much about the image since it’s automatically focused (unlike my Olympus Pen FT where I spend much more time thinking about the image I’m taking and what lens to use etc).

Here is a little selection of pictures we took:

I got the film developed at Moorfields Photographic in Liverpool as they have the half frame developing equipment which means that each image is exposed correctly rather than a compromise of exposure between two images as would occur at a normal lab with standard 35mm equipment.

Overall I was happy with the quality of the images and was what I expected from the Zuiko lens. I also liked the vintage feel of the photos. The sharpness was a little hit and miss at times since it’s automatic with only one lens type.

I will always prefer my Olympus Pen FT because of the gorgeous crispness I get with that camera along with the variety of lenses I can use for a particular shot.

However, if out and about in a rush and if I’ve only got a little handbag on me during the daytime then I would happily put this little camera in my bag and use it for the day.

It’s also handy for my husband to use when we’re out and about as he’s not so keen on all the time that can be spent perfecting a shot using a heavier SLR Camera 📷

Olympus Pen FT Half Frame Camera

I first discovered this camera when I was reading the Tokyo Camera Style book by John Sypal.

I initially fell in love with the design of the camera but was also very intrigued when I discovered on the internet that it’s a half frame camera.

Half frame camera’s were popular before I was born so I wasn’t sure what this type of camera was.

After further research I discovered that a half frame camera uses twice as many frames at half the normal frame width on a 35mm negative to an ordinary film camera. For instance, if I loaded this camera with a 36 exposure film, I would be able to get 72 images instead of 36. This was because developing pictures back in the 1950s/60s was quite expensive so this was a great way to get twice as many photos developed for the same price. As development of photos got cheaper in subsequent years, the half frame camera became less popular.

I found this highly fascinating and immediately knew I would love to add a half frame camera to my collection.

After further research I found lots of half frame cameras had been released into the market over the years. Initially Olympus had released the Olympus Pen F camera and some of these camera’s have a cool F design on the front of the camera (like the lens cap design in my picture) but these didn’t include a self timer. Olympus also released other types of half frame camera’s as well as these Pen SLR camera’s.

I also discovered that Canon released a half frame version too. In the end I decided that the Olympus Pen FT was the camera I really wanted to own and use. The main reason being that it had a self-timer.

Unfortunately my local second hand camera shops didn’t have any in stock and although they’re not rare, they are not as readily available as perhaps an Olympus Trip 35 and they also come at a higher price tag.

I’d already decided that I was willing to pay more for a nicer condition one as I prefer to have my cameras in great condition, especially if I’m going to use them regularly.

Initially I found that most of these cameras are available for sale on eBay but are mainly for sale in Japan. Ideally I wanted to purchase mine from a UK seller so knew I had to be patient as they are few and far between.

After several months of searching and checking in with my local second hand camera shops to see if they miraculously had one come into their shop I finally found the one I wanted on Etsy.

I bought it from a gentleman in Scotland who is a professional photographer and refurbishes vintage camera’s as a hobby. He mainly finds his vintage camera’s in charity shops and he told me a lot of them are a complete write off and beyond repair but every now and again, he’ll find a camera in amazing condition or which he’s able to easily repair and cosmetically it’s in great condition.

This camera was one he had discovered in immaculate condition and only needed some slight refurbishment. He had personally owned the camera for over a year but found due to other photography commitments, it wasn’t getting the use it truly deserved so reluctantly he decided to sell it.

The camera came with it’s original leather case and the Zuiko 40mm f1.4 lens. The Olympus Pen FT camera was in production from 1966 to 1972 and what I loved even more was that the camera came with the original receipt which showed that it was purchased on 11th June 1972 and written on the receipt was the serial number of the camera and the serial number of the lens which matched my camera and lens.

The shutter speeds on this camera are B/1 to 1/500 and it has a unique rotating disc design that syncs with the flash at all speeds. The aperture is from f1.4 to f16. It has a light meter reading in the viewfinder which is numbered with a needle rather than a needle which you aim to point to the centre which I found unusual but was easy to understand. Basically the needle in the viewfinder will point to a number (ranging from 0 – 7) and you’ll match the number on front of the lens to make sure you get the right exposure. You can adjust the shutter speed to change this number if you need to.

I certainly wasn’t disappointed when I received and started using this camera. It’s an SLR and has interchangeable lenses. I also loved the half frame viewfinder and how I had to think a bit differently when shooting an image in comparison to taking pictures with a normal camera.

It’s a much smaller camera in comparison to my Pentax K1000 so I can literally pop it into my handbag which is great.

Here are some photos I’ve taken using the 40mm lens. I took the film for development to my local film development shop called Colourstream in Brighton. They told me they could only develop the film on a normal frame width which means that there would be two photos on the frame with a black border. They also informed me that the exposure would be a compromise between the two images rather than each individual one.

I was keen to get my first film developed asap so was happy for them to develop the film this way and was interested to see how two photos would turn out printed together.

Here are some of the results which I shot on a Kodak Colour Plus 200 (36 exposure) film:

I also experimented using the self-timer which was great fun. However, one of my friends who is a photographer and has a lot of knowledge on vintage camera’s since informed me that I was taking a great risk in using the self-timer option as vintage camera’s are notorious for having the mechanics of the camera break on you if you use this because they are old and fragile. I therefore haven’t risked using it anymore but below is an image on the left where I used the self-timer:

Tokyo Camera Style Book

I discovered this book by John Sypal during one of my regular visits to Zoingimage in Brighton where they had the book for sale.

I was instantly drawn to the front cover and could tell it would be about film cameras. I also love Tokyo which I visited a couple of years ago as I have several friends who live there (one of them owns a really nice bar called the Ipcress Lounge).

I purchased the book and I certainly wasn’t disappointed. Apart from the introduction, the book is made up of pictures of vintage cameras that people had in Japan. The book also makes a note of the camera the person is holding which I found to be really helpful.

There are so many amazing cameras in this book from the Leica’s to the Nikons, Pentax etc.

As a newbie to film photography I really did enjoy looking at all the different cameras and learning what they were.

One of my favourite looking cameras in the book was the Olympus Pen FT camera.