The Sprocket Rocket Camera and Street Candy ATM400 Film

I had been looking for interesting black and white films to shoot with my Sprocket Rocket camera which had an ISO of 400 as that is what is recommended for this camera to get the best exposure since this camera doesn’t have an ISO range to choose from.

Whilst visiting the Analogue Wonderland website I came across the Street Candy ATM400 film.

This black and white film initially came out in 2017. It’s a 35mm film which was originally used in surveillance cameras. The film was described as having high contrast and high sensitivity so would work well in dramatic light conditions. The film brand said it works well in street photography and the logo is very striking on the film.

The film retails at around £8.00 per roll (although Analogue Wonderland currently have a sale on so they have reduced the price to £7.00 a roll).

It therefore isn’t the cheapest film in the world but one of my love’s of film photography is trying out the different types of films for my camera’s so I was happy to pay this. Also at the time of purchasing, Analogue Wonderland had an offer on where you got a free colour film with any purchase so that was good in my opinion.

Here are some pictures I took with the Sprocket Rocket camera using this film which I got developed at my local lab and scanned myself using my Epson V600 scanner:

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These photos were taken whilst I was on a boat cruise along the River Thames in London. It was a bright sunny day so was the perfect weather for a boat cruise and taking photos with this style film.

I do feel the photos have a grittiness about them which would make sense if the film was originally used for surveillance and I can see how this film would work great in street photography (although street photography isn’t really my thing).

The film brings out some really interesting cloud detail in the sky. I also like how the last few pictures have interesting light detail around the sprocket holes which makes the photos more interesting and I’m not sure if that’s due to the film or if it’s possibly where the sun has just caught that part of the film?

I’m glad I tried this film and if I have a photography project in mind where I require a gritty style of black and white photography then I would definitely use it again.

 

 

 

The Sprocket Rocket Camera and LomoChrome Purple XR 100-400 35mm Film

My favourite colour is Purple and I have a real love of psychedelic style photography with weird and wacky colours instead of the normal colour photos.

It was pretty obvious to me in view of this that I was going to end up having a real love of the LomoChrome Purple film available at Lomography.

Since the ISO range is between 100-400, it gives more experimentation options of the colour results. Basically, if you have an ISO of 100, the purple will be brighter and lighter on greens and if the ISO is 400, the greens in a photo will be more of an indigo colour.

This is a 35mm film which is developed under the standard C-41 process.

Lomography also do a 120mm film version which I’m keen to try out in my Diana F+ camera but as is often common with Lomography films, this is currently out of stock.

I’ve tried this film a couple of times now (in my Sprocket Rocket camera which recommends an ISO film of 400) and I’ve been extremely impressed with the results.

Here are some photos I recently took on my second roll of the LomoChrome film I put in this camera:

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The above images were taken during a trip on the River Thames in London. The pictures below were taken whilst out and about in Brighton:

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I really love the pictures taken on this style film. I’ve now put a roll of the LomoChrome Purple film in my Olympus Pen FT camera as I will have more control of the image quality compared to what I have on the Sprocket Rocket camera so I’m looking forward to seeing the results (which I will upload in my blog once the film is developed).

 

Sprocket Rocket Panorama Camera

As a newbie to film photography this year (please see the first blog I wrote for more information on this), I’ve only recently discovered the Lomography company and the ‘toy camera’s’ they do so have been buying and trying them as you can pick some of them up quite cheaply (either never used or hardly used second hand).

I had seen photos on Flickr and Instagram that had sprocket holes on them which I think looked really cool. I knew that some of the sprocket hole effects were achieved by just scanning the whole negative but I was fascinated by how some of them had the whole picture over the sprocket hole.

Once I had discovered the Lomography company I found that they produced a camera called the Sprocket Rocket Panorama Camera which has been specially developed to take pictures with the sprocket holes on them.

As with most of the Lomography camera’s they are very lightweight because they are made out of plastic.

It has a 30mm lens and produces a standard image size of 72 x 33mm (panoramic images including sprocket holes).  There is an optional frame insert that can be put into the camera that produce 72 x 24mm (”ordinary” panoramic images) but personally I think that defeats the whole object of this camera as I would want the sprocket holes to be shown.

The focusing on the camera is 0.6m to infinity which you focus on front of the lens by estimating how far you are standing away from the image you want to take since the viewfinder isn’t linked to the lens. There are 2 x shutter speeds (1/100, Bulb). There are 2 x aperture options (f/10.8, f/16). It takes 35mm film and is best suited to an ISO speed of 400. Another feature that I really love about the camera is that it has a white dot film stopping mechanism to enable you to take multiple exposures.

I initially was hoping to find a second hand one of these cameras as they retail at £69 for the black one and £79 if you wanted a different colour one. Thankfully I actually prefer the black colour.

Whilst looking for a second hand one, I found that not many of them seem to come up for sale like some of the other Lomography cameras and when I recently found a second hand used one for sale without its original box or instruction pamphlets, it ended up selling on eBay  in a bid only auction for over £50 (not including postage). I decided at that point that I’d sooner just pay the full retail price and buy a brand new one directly from the Lomography shop.

Thankfully at the time on deciding this I was actually going to London for the day for a Lomography workshop (blog to follow about this) so I was able to find some time to pop into the Lomography shop in Soho and buy one.

I was also lucky enough to buy the last few rolls the shop had of the LomoChrome Purple film as I wanted to see how this would look on the camera.

Once I took a closer look at the camera when I got it home, I discovered that it’s design was based on the vintage Dick Tracy Camera of the Seymore Products Co in Chicago circa 1947 combined with Lomography’s own design.

I loved how simple it was to load the 35mm film and the fact that it really does encourage multiple exposures as it has a simple operating system of 2 x winding knobs at each end of the camera at the top for moving the film forward and backwards. The white dot stopping mechanism window at the top of the camera enables you to see if you’ve wound on the film to the right spot so multiple exposures match on the same frame.

This camera also does the opposite of the half frame camera in the fact that if you have a 36 exposure 35mm film, you will only get 18 super-wide angle shots on this camera so this means in the long run you would use a lot more film.

On the bottom of the camera is a tripod strap screw which can be removed to enable you to place the camera on a tripod to take long exposed shots in bulb mode.

The shutter button is actually on the side of the lens rather than on the top of the camera and you have to be careful when the camera is in your bag etc not to accidentally knock the shutter button as you could take an unwanted photo!

There is a plastic lens cap included with this camera which you have to remember to move because the viewfinder is not linked to the lens so you could end up happily snapping away and find all your pictures come out black.

The aperture lever is underneath the lens and you can move it to the ‘sunny’ (f/16) or ‘cloudy’ (f/10.8) option.

My first impression of this camera is that it felt cheap and plastic and I wondered how the price could be justified for something that quite frankly didn’t feel like it had any quality to it. I also worried about it melting if I had it out on a hot sunny day!

However, from my research, I couldn’t find any quality vintage camera that could produce the same effect with the sprocket holes so I had to accept the price for what it was if I wanted to produce that type of photograph.

I’ll be completely honest, since I’ve been quite spoilt with my decent quality camera collection where I have the choice of interchangeable lenses and hard metal casing with a variety of apertures and shutter speeds to choose from, I wasn’t expecting a great deal from the camera and in some ways was ‘dreading’ if I had completely wasted my money on this purchase and the photos would be rubbish as I wouldn’t be able to focus the picture how I wanted etc.

I know with lomography cameras that the photo’s aren’t about perfection as quite frankly you wouldn’t be using them if that’s the style of photo what you wanted.

I decided that for my first roll of film I shot, I would get it developed at the Lomography lab (which was around £17 for development and scanned copies only plus postage of the film recorded delivery to Lomography in London).

Here are some of the results:

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I also decided to experiment with the multiple exposure option on this camera because it was so easy to do and here are the results:

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One particular shot I wasn’t happy with was where the sprocket holes go directly across the top of my husband’s head which I didn’t like so I now know for future reference I will need to bear this in mind when taking photographs and change the angle of the shot slightly to take this into consideration:

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Overall, I was really happy with the results. I managed to produce images with this camera that I wanted to achieve and I love the colour the purple chrome film produces. I definitely love the artistic/experimental photos I can create by using this camera.

The main drawback is the cost of getting the photos developed every time which could end up being very expensive due to only having the 18 shots on the film and you would question how regularly you could afford to use it.

However, because I’m taking so many photos with different cameras right now, I’ve been able to justify purchasing my own film scanner (which I’m currently awaiting delivery of) so in the long run I will save money. Plus I get to have more control of the quality/colour/shade etc of the image that I’m scanning from the negative.

I’ve since taken some normal colour photos with this camera which I got developed at my local photo lab for £5 (and will be scanning them in myself once I receive my scanner).

In view of this, I will definitely be taking a lot more pictures using this camera and feel that the purchase for me and the use I will get out of the camera is worth every penny.

I’m going to be loading this camera with 400 ISO black and white film next as I’m really interested to see how the sprocket hole effect will look in monochrome.

UPDATE: I’ve since discovered that this camera has now sold out on the Lomography website (and they only had a couple in the shop when I bought mine) so I’m really happy I managed to get one when I did. Fingers crossed for anybody else out there looking to buy one that Lomography will hopefully get new stock of it soon.