I recently did an interview with Lomography which has now been published in their online magazine about the Highgate Cemetery Workshop I attended in October.
Check out the interview and photos here.
Tag: Lomography workshop
Highgate Cemetery Tour with the Diana F+ Camera
On Saturday 20th October I visited Highgate Cemetery to do a Lomography workshop using the Diana F+ camera.
You’ll see from one of my other blog posts that I already own a Diana F+ camera so am familiar with how it works, but I’ve always wanted to visit Highgate Cemetery so thought this would be a good opportunity to finally go.
The cost of the workshop was £20 which included a loan of a Diana F+ camera, a roll of black and white 120mm lomography film, entry to Highgate Cemetery’s East side plus development and scanning of the film that was used during the workshop.
I arrived at the cemetery’s box office (where the meeting point was) and quickly saw how popular this workshop was going to be since there were a few of us.
There were several employees from Lomography who also attended the workshop so they were able to split us into two groups.
Before we went into the cemetery, we were given a handout about occult photography in the 1800’s. We were told that with the Diana F+ we would be able to create some ghostly style images and were even offered some tissue paper if we wanted it to create an ectoplasm effect.
There was a whole bunch of Diana F+ cameras in different colours on display at the meeting point which were pre-loaded with black and white 120mm film. The nice thing was that we were allowed to pick a camera ourselves rather then just be handed one.
We were shown the features of the camera and were informed that we’d always be best off using the cloudy setting on the camera for UK weather even on a bright sunny day. The day of the Workshop was very bright and sunny which I was pleased about since we’d be outdoors. I’d also learnt something new as I personally would have used the Sunny setting if I hadn’t have been told this.
We were talked through how double exposures can be taken on the camera to try and create a ghostly effect. We were also shown how we could take pinhole photos if we removed the main lens and took a longer exposure in bulb mode.
Since the film only has 12 shots, we were also able to purchase more film if we needed it for an additional £5. I’d thankfully thought ahead and brought my own Diana F+ camera with me and some spare black and white Lomography film. However, I initially used the camera they loaned for the workshop since it already had the film pre-loaded.
We proceeded to walk round the East Side part of the cemetery and it certainly didn’t take very long to use up the 12 shots. I then used my own Diana F+ camera with the spare film I had brought with me.
I decided to take the used film home with me rather than let Lomography develop and scan them since I have my own flat bed scanner that I scan my photos on and I wouldn’t have to wait for them to post me the negatives after scanning the film etc.
Here are the results of the photos I took using the camera that Lomography loaned me during the workshop:
I can see why Lomography used this particular camera for the workshop as the heavy vignetting produces a great dreamy effect which I think works really well with the graveyard shots and also the black and white film gives them an old fashion feel.
Here are the photos I took using my Diana F+ camera and the black and white 120mm Lomography film I own:
I think most people will agree that the photos I took using my camera are a real disappointment and this is because the backing paper from the film has imprinted itself onto the negatives.
I can see this has happened on a couple of the shots too using the loan camera from lomography but it’s not been no where near as bad as my film.
I’ve since discovered this will most likely happen if the film is expired or not stored correctly.
I normally store my film in the fridge, however, I have to admit that I had originally intended to use this black and white film in my Diana F+ camera several months back for another project which I didn’t end up doing and I lazily left the film on the side and didn’t end up putting it back in the fridge. We’ve also had quite a warm summer in England and the room where the film was left does get very warm so I think this has definitely been a contributing factor.
Overall, I found the workshop great fun and the Lomography staff were really nice and extremely supportive with any queries we had throughout the workshop which ran from 1pm-5pm.
I thought the workshop was great value for money and such a good thing to do around Halloween time.
If they run one next year, I would highly recommend it to anyone who can get to London and is keen to try out the Diana F+ camera.
Capture the night: a Lomography workshop
There is currently a photo exhibition at the Museum of London that I wanted to visit called London Nights.
London Nights Exhibition shows photos of the capital at night. There are over 200 works displayed by 60 photographers which range from the late 19th century to the present day (with some photos never seen before).
I have lots of fond memories of many nights out to London over the years so I knew I’d find this exhibition very interesting.
Whilst planning my visit, I noticed that Lomography were holding a workshop there on Friday 13th July called ‘Capture the night: a Lomography workshop’ which was tied in with the London Nights photo exhibition. I immediately knew I wanted to incorporate this workshop into my visit, since I’m recently knew to learning about the Lomography cameras so I booked two tickets for my husband and myself.
The cost of the workshop was £45 each (including access to the London Nights exhibition and use of a disposable lomography camera) and started at 6pm which lasted for 4 hours. The first hour was spent looking at the London Nights exhibition by ourselves (unfortunately I wasn’t able to take any photos inside the exhibition).
I did enjoy the exhibition and enjoyed reading about each photo. The photos taken at the early part of the 20th century were really interesting and some of them almost looked like paintings. I also enjoyed looking at some fashion negatives which had been taken in the 1920’s and wished I could have taken those home with me to frame on my wall.
After we had finished looking at the exhibition we were told to head to a conference room in the museum at 7pm to meet the Lomography workshop organisers.
Once we met them we were given a goody bag each which consisted of a Simple Use camera, a lomography Fish Eye 2 camera keyring, an information card about the lomo lab and 3 x greeting cards where I can add my own photos before giving them to somebody.
The Simple Use camera is a disposable camera (but we were told by the organisers we would be able to load it with further film if we wanted to once we had used up the current film). It is pre-loaded with 36 frames of 400 ISO colour film.
The camera has three different Colour Gel Flash filters (Yellow, Cyan and Magenta) which can be mixed and matched to tint the shots with different colours. I especially loved the Magenta and Cyan combo which produces a purple tint to the flash. There is a battery built into the camera which enables the flash to work.
The camera also came with helpful instructions on the back:
In the workshop we were given a brief overview of the Lomography company and how it all began. We were also shown how to use the Simple Use camera.
It’s been years since I’ve used a disposable camera…..I used to use them a lot during the late 90s on nights out with friends and also the odd wedding when they were put on the table (although photo booths have become quite popular at weddings recently).
We were then told to head out around London and take some photos and meet back at the conference room at 9pm.
We weren’t made to go around together as a group but to go off by ourselves. Most people in the group had come with either a friend or their partner so we all naturally went off with whoever we had come to the workshop with.
When we initially headed outside it was still quite light and the purpose of this workshop was to take photos at night using the coloured flashes on the camera so we had to wait for it to get a bit darker. Thankfully it didn’t take too long to get dark so we wondered around near the museum and took some photos. It unfortunately began to rain by 8pm and we were beginning to get a bit hungry so decided to pop to a sushi restaurant to get a bite to eat.
We used up the remainder of our film and headed back to our meeting place at 9pm. Our organiser kindly unloaded the film for us and told us that as part of the workshop package, Lomography would process the film for us free of charge and email the shots to us in a week’s time. She also asked us if we had any further questions or wanted any further advice regarding the Lomography products as the workshop didn’t technically finish until 10pm. By this point my husband and I were quite exhausted (we had been at work since 7:30am and had rushed up to London in the afternoon) and we both knew we had the inevitable train journey back to Brighton so were keen to be gone before 10pm as my husband had to work Saturday morning.
After a week of waiting I hadn’t received the emailed photos that I was expecting so I phoned the Lomography store in London where I discovered the organiser had taken my email address down incorrectly (good job I checked!) so then I instantly got the photos emailed over to me and here are some of them:
I’ll be completely honest and say that I didn’t have high expectations of using this camera since it was a disposable one and like I previously said, I had used them a lot years ago so was fully aware of the quality of photos they produce.
I therefore did find the photo quality pretty average and not always great. The flash only works at close range so a lot of our photos taken of buildings were dark and underexposed.
I think these cameras are fine if you’re on a night out with friends and are taking close up shots and having fun with the flash. I wouldn’t recommend it for architectural shots!
If I was to go around London at night taking photos again, I would take my Pentax K1000 loaded with Cinestill 800 film and a flash as well.
Overall, I’m glad I got to see the photo exhibition and do the workshop as it was something a little different rather than just going to London for the night and sitting in a bar all evening.
Since I didn’t have high expectations from using this camera, I wasn’t disappointed with the results. My only disappointment was that I didn’t prepare in advance more and bring along my Pentax K1000 as I reckon I would have got some really nice shots. At least this gives me an excuse to visit London one evening again and take more photos so that’s good.
For anybody interested in attending the workshop, it is on again in October and here is a link:
Capture the night: a Lomography workshop
Also for anyone interested in purchasing the disposable camera, they can be purchased here:
