I’ve been a fan of the Cinestill film ever since I tried the Cinestill 50D colour film using my Olympus Pen FT and got some great photos at a car show.
I’d also used the Cinestill 800 colour film with my Pentax K1000 and had managed to take some nice evening shots.
In a nutshell Cinestill film is a motion picture film for still photographers.
I’m fortunate enough to have a shop in Brighton called Zoing Image which stock Cinestill 50D and Cinestill 800 colour film.
However, when I discovered the Cinestill BwXX black and white film, they unfortunately didn’t have any in stock for me to buy. I therefore had to look online and bought the film through Analogue Wonderland as there were a couple of other creative style films I wanted to try that they sold so I bought them altogether.
I already knew that I wanted to use my Olympus Pen FT camera for this film because I love the high quality lenses this camera has and I also knew I mainly wanted to take architectural style shots. Also, the size of the photo taken on a half frame camera is very similar to cinematic style photos.
The Cinestill BwXX is a high speed, classic black and white film emulsion with a recommended ISO 250 under daylight.
What I also love about this film is the fact it’s a classic black and white film stock left relatively unchanged since it’s release in 1959 for still and motion picture use so this really adds to that vintage film feel of a photo.
I’ve read that it’s a classic film stock to fill the void left by the discontinuation of it’s sister films, Kodak Plus-X (which was discontinued in 2010) and TXP320.
The film produces 36 exposures (or 72 on a half frame camera) and is a 35mm film format. It’s not the cheapest of films and retails at around £10 per roll.
Here are some photos I took whilst out and about in Brighton
Since I had architectural photo’s in mind for this film I also visited the Barbican in London and took some photos:
I got the film developed at my local lab and I scanned the images using my Epson V600 scanner.
One thing I did notice when the negatives were developed was the high quality negatives produced. They were really thick and not flimsy and the images on the negative were very bright and clear to the naked eye.
As I expected, the photos have a real grainy, cinematic look about them which I do think has worked well with the architectural shots.
Going forward I would definitely use this film again if I had a black and white vintage style photography project in mind as i think the film would work well with that.
